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ACCI flows from the knowledge that Cree culture must be captured, maintained, shared, celebrated, and practiced. Cree Elders have spoken of the need for a central place for the protection of the way, and have developed a vision for Aanischaaukamikw over several decades.

Showing posts with label Loan. Show all posts
Showing posts with label Loan. Show all posts

Nov 29, 2019


My internship in the Collections department at Aanischaaukamikw Cree Cultural Institute, 2018

By: Camille Crevier-Lalonde

My work as an intern as part of my course in applied museology at Montmorency College often consist of solving problems to support and display objects that may have specific requirements or restrictions. Making a mount is always about the condition of the object, the center of gravity and the structural stability of the object.

During my internship I had the occasion of making storage mounts for a variety of objects, some of them representing more of a challenge than others. My favourite mount making experience was with child’s pants worn during a walking out ceremony.

 
On loan from Trifona Simard, SIMARD-2016-2

  
The first step was to construct padding for the leather pants. Measurements had to be taken for sewing small pads of synthetic fabric (Tyvek- high density polyethylene material padded with polyester fibers). The padding is useful for the object : the weight of the leather is distributed equally on the padding, causing less stress on the object and maintaining the fabric in a position that resemble the natural position of the object before it came on loan.

From the perspective of conservation, organic collections are the most fragile material types in a museum. Light, temperature/humidity variations and insects may deteriorate any leather object: that is why it is important to use stable materials and non-acid fibers (like Tyvek) that will keep the objects from deteriorating.

As an intern, I learned that the objects do not always need as much support as we would think. Additions of material may cause stress on a fragile object. Some leather ornaments, such as leather fringes, can be hard to present directly on a mount, because they are made of a malleable fabric. Sometimes, the object is a good mount in itself for these ornaments. In the picture below, we can see that the pants are supporting the fringes well.



The second step was to construct a tray for supporting the object in storage. The pants were installed on a rigid support, consisting of non-acidic Hollinger board, covered with a layer of microfoam and acid free cotton fabric. The fabric had been pinned to adjust equally the tension of the textile on the mount, then taped at the back of the board, with acid free tape. The pants were held in place on the board with cotton ribbons.

This Hollinger board provided an easy way of supporting the pants in storage; the pants can now be observed without any movement of the object itself, which is good for the prevention of any damage during storage.

May 21, 2014

Staff Viewing Newly Loaned Artifacts from the Royal Ontario Museum, Toronto.

COMING SOON TO AANISCHAAUKAMIKW!

Staff Viewing Newly Loaned Artifacts from the Royal Ontario Museum, Toronto.

A collection of James Bay Cree artifacts will be temporarily on exhibition at the Aanischaaukamikw Cree Cultural Institute.

The artifacts includes: Two spectacular hoods, a pair of woman’s leggings, a wall pocket made of porcupine quill and a child’s bag.


Staff examined the collection to discuss their construction materials and possible uses.

Oct 28, 2013

Building a Relationship with Switzerland's Nordamerika Native Museum


The first loan to Aanischaaukamikw from Europe was an 18th century Cree moccasin from the city of Zurich, Switzerland's Nordamerika Native Museum.

It was particularly important for the opening phase of our exhibition because it features fine porcupine quill work, a technique of decoration long ago replaced by beadwork and embroidery in this region.

It was also popular with visitors because the other moccasin of the pair had been located in a collection in Toronto (the Bata Shoe Museum) and the two had been brought together in our exhibition for the first time in many decades.

When it became time to return the moccasin cared for by the Nordamerika Native Museum this fall according to the original agreement, we requested that they extend the loan so that more people could see this quill work and our reproduction project could have the benefit of a such a masterwork as a model.

The Nordamerika Native Museum agreed and in their approval letter, asked if we could loan them a Cree artifact from our collection. Instead of a loan, we opted to gift them a newly made pair of snowshoes by master craftsman, Saunders Weistche, of Waskaganish.

This exchange (albeit temporary for the moccasin) of "footwear" between Aanischaaukamikw and the Nordamerika Native Museum signals a new kind of co-operation, a chance for people in the northern region of Canada to see the exquisite historic handwork of their ancestors and a chance for visitors to Zurich to see an example of a highly specialized and utterly essential ongoing part of daily life on the traplines and in the forest camps of Eeyou Istchee.


James Bay Cree Grand Chief, Matthew Coon Come, Cree Federal Government Member of Parliament, Romeo Saganash, Ouje-Bougoumou Chief Reggie Bosum and local and Quebec government ministers view the Swiss moccasin and its pair at the Museum opening.


Written by Stephen Inglis, Executive Director, Aanischaaukamikw Cree Cultural Institute, updated in 2021 by Aanischaaukamikw to correct erroneous information about a loan of an older pair of snowshoes from the ACCI collection to Switzerland. This was an early idea, but in the end ACCI opted to gift a contemporary pair.